selected
shows
20
24
24
group show
Manifestations:
Views of the otherworldly in painting and drawing
curated by Dr. Elena Parpa and Dr. Evanthia Tselika
NiMAC [Nicosia Municipal Arts Centre]
1.
Exhibition view
2.(left)
Rêve Primitif II, 2018 Drawing,
Chalk on Rollerblind mounted
on iron frame, 131.5 x 154 cm
3.
Rumela, 2024, text printed on
backlit fabric, 155 x 45 cm
documentation
Nicos Louca
Manifestations:
Views of the otherworldly in painting and drawing
curated by Dr. Elena Parpa and Dr. Evanthia Tselika
NiMAC [Nicosia Municipal Arts Centre]
1.
Exhibition view
2.(left)
Rêve Primitif II, 2018 Drawing,
Chalk on Rollerblind mounted
on iron frame, 131.5 x 154 cm
3.
Rumela, 2024, text printed on
backlit fabric, 155 x 45 cm
documentation
Nicos Louca
20
23
23
spoken word / live
Cerebral Gym Presents: Nice Contradiction curated by Loizos Olympios,
SPEL State Art Gallery, Nicosia
20
23
23
group show
Seeing Through Melancholia:
Transcultural Melancholias/Hüzün
curated by Dr. Alev Adil, Dr. Gabriel Koureas,
Ethnological Museum - House of Hadjigeorgakis Kornesios, Nicosia
Seeing Through Melancholia:
Transcultural Melancholias/Hüzün
curated by Dr. Alev Adil, Dr. Gabriel Koureas,
Ethnological Museum - House of Hadjigeorgakis Kornesios, Nicosia
20
23
23
live reading / performance
Home Is A Liminal Thing
part of the The Broken Pitcher presentation program
by Natascha Sadr Haghighian,Marina Christodoulidou,
and Peter Eramian, Lenbachhaus Museum, Munich.
︎
documentation from the live reading
duration: 30:00
Home Is A Liminal Thing
part of the The Broken Pitcher presentation program
by Natascha Sadr Haghighian,Marina Christodoulidou,
and Peter Eramian, Lenbachhaus Museum, Munich.
︎
documentation from the live reading
duration: 30:00
20
23
23
group show
We Can Only Begin To Notice
curated by Ioulita Toumazi and Demetra Ignatiou,
Nicosia Municipal Arts Center (NiMAC), Nicosia.
︎
Stills from:
1.
Home is a Substance, 2015
video, duration 1:19
2.
La Tourbillon De La Vie/The Vortex of Life,
2012, video, duration 2:02
3.
{(Monotonous)*(Déjà vu)*(15gusto)},
2017,music video, duration 5:46
We Can Only Begin To Notice
curated by Ioulita Toumazi and Demetra Ignatiou,
Nicosia Municipal Arts Center (NiMAC), Nicosia.
︎
Stills from:
1.
Home is a Substance, 2015
video, duration 1:19
2.
La Tourbillon De La Vie/The Vortex of Life,
2012, video, duration 2:02
3.
{(Monotonous)*(Déjà vu)*(15gusto)},
2017,music video, duration 5:46
20
22
22
solo show
Book Launch/Εκτόξευση Βιβλίου
Hambis Municipal Printmaking Museum.
1.
Love: a bell and a hook, 2020
watercolour and gouache on canvas
81.5 x 46 x 2 cm.
2.
White Goddess Lazing, 2020-2022
air-dry clay on panel, enamel fix,
wooden frame, 32.5 x 24 x 7 cm.
3.
Two Egos About To Fall Into An O, 2021
watercolor on canvas,24.5 x 30 x 1.5 cm,
attached to amplifier playing the sound
piece Art Songs, 2022, duration: 13:50
4.
1986, 2023, laser engraving on glass
sheet, 20 x 30 cm
5.
Top: Santa Momenta, 2022
laser engraving on a dry leaf,
microsite
Bottom: Out of Focus one, from the
drawing series Out of Focus, 2020,
gouache on calligraphy paper,
31 x 25.5 cm.
6a.
Santa Momenta, 2022
laser engraving on a dry leaf,
microsite: www.santamomenta.quest
6b.
Santa Momenta, 2022
microsite, www.santamomenta.quest
7.
Obstacles for Skirts, 2018
inscription on unpicked silk skirt
8.
Left: Out of Focus two
from the drawing series Out of Focus,
2020, gouache on calligraphy paper,
25.5 x 31cm
Right: Out of Focus three
from the drawing series Out of Focus,
2020, gouache on calligraphy paper,
25.5 x 31cm
9.
Oes, 2022
unfired clay coils
mounted on aluminium stand
L23 cm
10.
Couple One (left) and Couple / Back,
2022, from the drawing series Couples,
2018, watercolor on calligraphy paper,
gummed paper tape, 55.5 x 46 cm.
11.
The Stage, 2020-2022
markers on handwoven pure silk
24 x 19 x 3 cm.
12.
Spider Legs, 2021-2022
sculptural installation, harvested,
treated and assembled asphodel stems
of various dimensions.
13.
My Centers, 2022
mixed media, 80 x 79.5 cm.
Book Launch/Εκτόξευση Βιβλίου
Hambis Municipal Printmaking Museum.
1.
Love: a bell and a hook, 2020
watercolour and gouache on canvas
81.5 x 46 x 2 cm.
2.
White Goddess Lazing, 2020-2022
air-dry clay on panel, enamel fix,
wooden frame, 32.5 x 24 x 7 cm.
3.
Two Egos About To Fall Into An O, 2021
watercolor on canvas,24.5 x 30 x 1.5 cm,
attached to amplifier playing the sound
piece Art Songs, 2022, duration: 13:50
4.
1986, 2023, laser engraving on glass
sheet, 20 x 30 cm
5.
Top: Santa Momenta, 2022
laser engraving on a dry leaf,
microsite
Bottom: Out of Focus one, from the
drawing series Out of Focus, 2020,
gouache on calligraphy paper,
31 x 25.5 cm.
6a.
Santa Momenta, 2022
laser engraving on a dry leaf,
microsite: www.santamomenta.quest
6b.
Santa Momenta, 2022
microsite, www.santamomenta.quest
7.
Obstacles for Skirts, 2018
inscription on unpicked silk skirt
8.
Left: Out of Focus two
from the drawing series Out of Focus,
2020, gouache on calligraphy paper,
25.5 x 31cm
Right: Out of Focus three
from the drawing series Out of Focus,
2020, gouache on calligraphy paper,
25.5 x 31cm
9.
Oes, 2022
unfired clay coils
mounted on aluminium stand
L23 cm
10.
Couple One (left) and Couple / Back,
2022, from the drawing series Couples,
2018, watercolor on calligraphy paper,
gummed paper tape, 55.5 x 46 cm.
11.
The Stage, 2020-2022
markers on handwoven pure silk
24 x 19 x 3 cm.
12.
Spider Legs, 2021-2022
sculptural installation, harvested,
treated and assembled asphodel stems
of various dimensions.
13.
My Centers, 2022
mixed media, 80 x 79.5 cm.
20
22
22
four-person show
Sites.An Exhibition
curated by Constantinos Taliotis
on the occasion of the program
Activating the Public Space organized
by the Visual Artists and Art Theorists
Association - phytorio.
1-3. Potential Works/Virtual Works, 2022
temporary intervention in the public space, billboards
4a-6b. Potential Works/Virtual Works, 2022
temporary intervention in the public space, posters
7-8. Potential Works/Virtual Works, 2022
temporary intervention in the public space,
intervention on shop LED screens
Sites.An Exhibition
curated by Constantinos Taliotis
on the occasion of the program
Activating the Public Space organized
by the Visual Artists and Art Theorists
Association - phytorio.
1-3. Potential Works/Virtual Works, 2022
temporary intervention in the public space, billboards
4a-6b. Potential Works/Virtual Works, 2022
temporary intervention in the public space, posters
7-8. Potential Works/Virtual Works, 2022
temporary intervention in the public space,
intervention on shop LED screens
20
20
20
group show
For staying is nowhere
curated by Ioanna Gerakidi
Haus N Athen, Athens.
︎
1.Double Beings, 2020
guache on canvas, 19.5x25.5cm
2.The Art of Conversation II:Eva’s Plans, 2018,
mixed media relief on panel, 22 x 29.7 x 4.5cm
For staying is nowhere
curated by Ioanna Gerakidi
Haus N Athen, Athens.
︎
1.Double Beings, 2020
guache on canvas, 19.5x25.5cm
2.The Art of Conversation II:Eva’s Plans, 2018,
mixed media relief on panel, 22 x 29.7 x 4.5cm
20
20
20
20
19
19
four-person show
Summer is the Opposite History
curated by Despina Zefkili,
Routes in Marpissa Experiential
Festival, Paros.
︎
1.{(Monotonous)*(Déjà vu)*(15gusto)},
2018, song + music video
2.Snatching, 2019,
artist’s book, 16x27cm
3. Oh Car, Mobile Kingdom of Fleeting Thoughts,
2016 sound installation in car, duration 19:41,
looped, text printed on vinyl sticker
Summer is the Opposite History
curated by Despina Zefkili,
Routes in Marpissa Experiential
Festival, Paros.
︎
1.{(Monotonous)*(Déjà vu)*(15gusto)},
2018, song + music video
2.Snatching, 2019,
artist’s book, 16x27cm
3. Oh Car, Mobile Kingdom of Fleeting Thoughts,
2016 sound installation in car, duration 19:41,
looped, text printed on vinyl sticker
20
19
19
group show
Hypersurfacing
curated by Marina Christodoulidou,
NiMAC [Nicosia Municipal Arts Center, Nicosia].
︎
1. Glitch Table
2.Hyperflâneur (2019) artist’s book
in 3 tomes, 23x31cm, 560 pages each
3. Life_4GB_At_A_Time (2017 – )
ongoing project, two-channel video,
3:30:41
Hypersurfacing
curated by Marina Christodoulidou,
NiMAC [Nicosia Municipal Arts Center, Nicosia].
︎
1. Glitch Table
2.Hyperflâneur (2019) artist’s book
in 3 tomes, 23x31cm, 560 pages each
3. Life_4GB_At_A_Time (2017 – )
ongoing project, two-channel video,
3:30:41
20
18
18
two-person show
MLNY
[Maria Loizidou Natalie Yiaxi]
curated by Phanos Kyriacou and Natalie Yiaxi,
PARTY Contemporary Artist-run gallery, Kaimakli.
︎
1. Rêve Primitif II (2018),
chalk drawing on roller blind curtain,
iron frame 131.5x154cm
2. MeLaNY (2018) iron frame,
mixed media, 45x100x60cm
3. Work The Source (2018), airdry clay,
polyurethane resin, dimensions variable
4. Cyclops (2018), drawing, ink on paper,
stainless steel frame 33.5X45.5X2cm
5. Rêve Primitif I (2017), iron loops
suspended from stainless steel hook, 80x51 cm
6. Left: The Art of Conversation IV: Soliloquy (2018)
Mixed media relief on panel, 20x28.2x4.5 cm
Middle: The Art of Conversation III: Coffee Break
with Gina (2018) Mixed media relief on panel, 20x28.2x4.5 cm,
Right: The Art of Conversation II: Eva’s Plans (2018)
Mixed media relief on panel, 22x29.7x4.5cm
7.
Right: The Art of Conversation I: Paul’s Burden (2018)
Mixed media relief on panel, stainless steel frame,
63x83x4 cm
Left: Giergiev’s Firebird 47:13 (2018)
Artist’s book in plastic bag, metal frame
with hooks 188x2cm
MLNY
[Maria Loizidou Natalie Yiaxi]
curated by Phanos Kyriacou and Natalie Yiaxi,
PARTY Contemporary Artist-run gallery, Kaimakli.
︎
1. Rêve Primitif II (2018),
chalk drawing on roller blind curtain,
iron frame 131.5x154cm
2. MeLaNY (2018) iron frame,
mixed media, 45x100x60cm
3. Work The Source (2018), airdry clay,
polyurethane resin, dimensions variable
4. Cyclops (2018), drawing, ink on paper,
stainless steel frame 33.5X45.5X2cm
5. Rêve Primitif I (2017), iron loops
suspended from stainless steel hook, 80x51 cm
6. Left: The Art of Conversation IV: Soliloquy (2018)
Mixed media relief on panel, 20x28.2x4.5 cm
Middle: The Art of Conversation III: Coffee Break
with Gina (2018) Mixed media relief on panel, 20x28.2x4.5 cm,
Right: The Art of Conversation II: Eva’s Plans (2018)
Mixed media relief on panel, 22x29.7x4.5cm
7.
Right: The Art of Conversation I: Paul’s Burden (2018)
Mixed media relief on panel, stainless steel frame,
63x83x4 cm
Left: Giergiev’s Firebird 47:13 (2018)
Artist’s book in plastic bag, metal frame
with hooks 188x2cm
20
18
18
two-person show
Adhocracy Vol.I: Books and Tools
curated by Phanos Kyriacou and Natalie Yiaxi,
PARTY Contemporary Artist-run gallery, Kaimakli.
︎
1. Transference (2018), drawings on silk,
imprints on wax paperOn Strike (2016),
spray-painted clay, pair of scissors
2. A Nook in the Ordinary (2016),
video loop 1:21
3. Vertical Book (2015),
framed artist’s book
4. Writer’s Block (2018),
device made of pencil, stick, stone
5. Multi-purpose device (2016),
plaster
Adhocracy Vol.I: Books and Tools
curated by Phanos Kyriacou and Natalie Yiaxi,
PARTY Contemporary Artist-run gallery, Kaimakli.
︎
1. Transference (2018), drawings on silk,
imprints on wax paperOn Strike (2016),
spray-painted clay, pair of scissors
2. A Nook in the Ordinary (2016),
video loop 1:21
3. Vertical Book (2015),
framed artist’s book
4. Writer’s Block (2018),
device made of pencil, stick, stone
5. Multi-purpose device (2016),
plaster
20
17
17
group show
The Garden Sees
curated by Anna Kafetsi, Athens Concert Hall, Athens
︎
1.
Reveries for Trees & Shrubs (2017),
sound installation on trees in the garden
of the Athens Concert Hall, duration 10:36
2.
Wind of Change (2011), video, duration 6:17
3.
The Opposite of Time (2016), video, duration 2:20
4.
Time (2015), video, duration 1:50
The Garden Sees
curated by Anna Kafetsi, Athens Concert Hall, Athens
︎
1.
Reveries for Trees & Shrubs (2017),
sound installation on trees in the garden
of the Athens Concert Hall, duration 10:36
2.
Wind of Change (2011), video, duration 6:17
3.
The Opposite of Time (2016), video, duration 2:20
4.
Time (2015), video, duration 1:50
20
17
17
group show
Planétes
curated by Elena Parpa, Pafos2017 -
European Capital of Culture, Pafos
︎
1.
Metropolitan Cypriots (2014)
digital model of recorded recitation of all the labels of
anthropomorphic statues from the Cesnola Collection
on display at the Metropolitan Museum of Art of
New York milled in Thassos Marble (7 Axis Robotic Fabrication.
2.
Metropolitan Cypriots text framed.
Planétes
curated by Elena Parpa, Pafos2017 -
European Capital of Culture, Pafos
︎
1.
Metropolitan Cypriots (2014)
digital model of recorded recitation of all the labels of
anthropomorphic statues from the Cesnola Collection
on display at the Metropolitan Museum of Art of
New York milled in Thassos Marble (7 Axis Robotic Fabrication.
2.
Metropolitan Cypriots text framed.
20
16
16
solo show
Solid Plans
Thkio Ppalies Artist-Run Space,
Nicosia
︎
1.
Homework, mixed media installation
2.
Plagiarism #2, handwritten quotes
from various authors, digital print
3.
The Indecision Maker, installation, plaster
4.
Right: Receipt Poetry #1:Plan for a Book,
digital print
Left: Always Ultra Normal,
mixed media installation
5.
Ask Quora, mixed media installation
[video duration 2:22]
6.
Oh Car, Mobile Kingdom of Fleeting Thoughts,
installation, sound piece duration 20:00, video loop 1:35
Solid Plans
Thkio Ppalies Artist-Run Space,
Nicosia
︎
1.
Homework, mixed media installation
2.
Plagiarism #2, handwritten quotes
from various authors, digital print
3.
The Indecision Maker, installation, plaster
4.
Right: Receipt Poetry #1:Plan for a Book,
digital print
Left: Always Ultra Normal,
mixed media installation
5.
Ask Quora, mixed media installation
[video duration 2:22]
6.
Oh Car, Mobile Kingdom of Fleeting Thoughts,
installation, sound piece duration 20:00, video loop 1:35
20
16
16
group show
The Equilibrists
curated by Gary Carrion-Murayari and Helga Christoffersen with Massimiliano Gioni, New Museum, New York and DESTE Foundation, in collaboration with Benaki Museum, Athens
︎
And Plaster Biscuits, 2015-16,
exercise mats, plaster, unfired clay
and found objects, 180cmX173cm
The Equilibrists
curated by Gary Carrion-Murayari and Helga Christoffersen with Massimiliano Gioni, New Museum, New York and DESTE Foundation, in collaboration with Benaki Museum, Athens
︎
And Plaster Biscuits, 2015-16,
exercise mats, plaster, unfired clay
and found objects, 180cmX173cm
20
16
16
group show
Aye Bad Dome: Super
curated by Peter Eramian,
Thkio Ppalies Artist Run Space, Nicosia
︎
AAAFAY! Donation Station (2016),
campaign information desk and donation station,
leaflets, website aaafay.org
(no longer available)
AAAFAY Radio Spot 00:46
Nothing At All, AAAFAY Campaign Jingle 00:32
Aye Bad Dome: Super
curated by Peter Eramian,
Thkio Ppalies Artist Run Space, Nicosia
︎
AAAFAY! Donation Station (2016),
campaign information desk and donation station,
leaflets, website aaafay.org
(no longer available)
AAAFAY Radio Spot 00:46
Nothing At All, AAAFAY Campaign Jingle 00:32
20
15
15
1.
Metropolitan Cypriots (2014) digital model of
recorded recitation of all the labels of
anthropomorphic statues from the Cesnola Collection
on display at the Metropolitan Museum of Art of
New York milled in Thassos Marble (7 Axis Robotic Fabrication)
2.
The Flying Page (2015),video, duration 2:00
3.
Untitled (2015), installation of 48 blank,
titled books 23 x 138 x 13 cm
4.
Time (2015), video 1:56
5.
Vertical Book (2015), framed artist’s book
6.
Posh Taro (2015), sound installation,
12’’vinyl record, duration: 10:00
7.
Wind of Change (2011), video 6:17
20
14
14
group show
Non-Standard Testimonials
curated by Peter Eramian,
David Dale Gallery, Glasgow.
︎
1.
Posh Taro (2014), 12’’ vinyl record,
duration: 10:00, taro-shaped table, artist’s book
2.
Posh Taro 12’’ vinyl record
and artist’s book, edition of 5
3.
Subjective Cartography (2014)
digital print
Non-Standard Testimonials
curated by Peter Eramian,
David Dale Gallery, Glasgow.
︎
Posh Taro (2014), 12’’ vinyl record,
duration: 10:00, taro-shaped table, artist’s book
2.
Posh Taro 12’’ vinyl record
and artist’s book, edition of 5
3.
Subjective Cartography (2014)
digital print
20
13
13
group show
Oo
curated by Raimundas Malašauskas,
the Cyprus Pavilion at the 55th Venice Biennale, Venice
︎
GUIDE BoOK (2013), site specific bookwork,
28 loose A4 sheets, A4 envelope / cover
edition of 5000
ISBN 978-9963-0-0165-1
documentation:
Robertas Narcus
Oo
curated by Raimundas Malašauskas,
the Cyprus Pavilion at the 55th Venice Biennale, Venice
︎
GUIDE BoOK (2013), site specific bookwork,
28 loose A4 sheets, A4 envelope / cover
edition of 5000
ISBN 978-9963-0-0165-1
documentation:
Robertas Narcus
20
13
13
group show
Afresh: A New Generation of Greek Artists
curated by Daphne Dragona, Tina Pandi & Daphne Vitali, EMST- National Museum of Contemporary Art, Athens
︎
The Independent Study of the 90’s (2013),
one of a kind artist’s book
2.
(left)
[ ] (2011)
print on demand artist’s book
(right)
What Is To Be Sung?
Anwers To The Question By Charlie Barely (2011),
spoken word cd album / artist’s book
20
13
13
group show
Rooms 2013
curated by Yiannis Toumazis,
Kappatos Gallery at ST. George Lycabbetus
︎
Paper Monument (2013),
site-specific work, scroll listing the names
of all the lodgers of room 501 at St. George
Lycabbetus Hotel