work
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four person show
Sites.An Exhibition (2022),
curated by Constantinos Taliotis
on the occasion of the program
Activating the Public Space organized
by the Visual Artists and Art Theorists
Association-phytorio
group show
For staying is nowhere (2020),
curated by Ioanna Gerakidi,
Haus N Athen, Athens
online project
Together/Apart: Going New Places,
(2020), curated by Marina Hadjilouka, organized by the Cyprus High Commission in the UK
four person show
Summer is the Opposite History (2019)
curated by Despina Zefkili, Paros
group show
Hypersurfacing (2019)
curated by Marina Christodoulidou,
NiMAC, Nicosia
two person show
MLNY (2018)
PARTY Contemporary
Artist-run gallery, Nicosia
two person show
Adhocracy Vol.I: Books and Tools
(2018) environment with found objects and artworks by Phanos Kyriacou and Natalie Yiaxi, PARTY Contemporary Artist-run gallery, Nicosia
group show
The Garden Sees (2017) curated by Anna Kafetsi, Athens Concert Hall, Athens
group show
Planétes (2017) curated by Elena Parpa, Pafos2017- European Capital of Culture, Paphos
solo show
Solid Plans (2016)
solo show at Thkio Ppalies
Artist-Run Space, Nicosia
group show
The Equilibrists (2016) curated
by Gary Carrion-Murayari and Helga Christoffersen with Massimiliano Gioni, New Museum, New York and DESTE Foundation, in collaboration with Benaki Museum, Athens
group show
Aye Bad Dome: Super (2016) curated by Peter Eramian, Thkio Ppalies Artist Run Space, Nicosia
finalists’ show
Deste Prize (2015)
Finalists’ Show
Cycladic Art Museum, Athens
group show
Non-Standard Testimonials (2014) curated by Peter Eramian
David Dale Gallery, Glasgow
group show
Oo (2013)
curated by Raimundas Malašauskas,
the Cyprus Pavilion at the 55th Venice Biennale, Venice 2013
group show
Rooms 2013
curated by Yiannis Toumazis,
Kappatos Gallery at ST. George Lycabbetus Hotel, Athens






1-3: Potential Works/Virtual Works (2022), temporary intervention in the public space, text on billboards
4a-6b. Potential Works/Virtual Works (2022), temporary intervention in the public space, posters
7-8. Potential Works/Virtual Works (2022), temporary intervention in the public space, text on shop LED screens
telegram channel documenting
the progress of the project





- Double Beings (2020), guache on canvas, 19.5x25.5cm
- The Art of Conversation II: Eva’s Plans (2018), mixed media relief on panel, 22x29.7x4.5cm


still images from Hyperflâneur (2020),
video, duration 33:03 links: text / video


1. {(Monotonous)*(Déjà vu)*(15gusto)}(2017), music video clip
2. Snatching (2019), artist’s book, 16x27cm
3. Oh Car, Mobile Kingdom of Fleeting Thoughts (2016), sound piece (19:41, looped), playing through a car, text printed on a sticker















- digitally manipulated table designed to host Hyperflâneur
- Hyperflâneur (2019) artist’s book in 3 tomes, 23x31cm, 560 pages each
- Spreads from the books
- Life_4GB_At_A_Time (2017 –) ongoing project, two-channel video, 3:30:41












- Rêve Primitif II (2018), chalk on roller blind mounted on iron frame 130x154cm
- MeLaNY (2018) iron stand, mixed media, 45x100x60cm
- Work The Source (2018) airdry clay, polyurethane resin, dimensions variable
- From the series Cyclops (2018), ink drawing, stainless steel frame 33.5x45.5x2cm
- Rêve Primitif I, 2017, iron rings, stainless steel hook, text on wall 80x51cm
- Left: The Art of Conversation IV: Soliloquy (2018), mixed media relief on panel, 20x28.2x4.5cm Middle: The Art of Conversation III: Coffee Break with Gina (2018), mixed media relief on panel, 20x28.2x4.5cm Right: The Art of Conversation II: Eva’s Plans (2018), mixed media relief on panel, 22x29.7x4.5cm
- Right: The Art of Conversation I: Paul’s Burden (2018) mixed media relief on panel, stainless steel frame, 63x83x4 cm, Left: Giergiev’s Firebird 47:13 (2018) artist’s book in plastic bag, metal structure with hooks 188x2cm.
- The Art of Conversation V: Things You Can Control, Things You Can’t (Nicole) (2018), mixed media relief on panel, 20.2x26.5x4cm











- Transference (2018), drawings on silk, imprints on wax paper
- On Strike (2016), spray-painted clay, pair of scissors
- A Nook in the Ordinary (2016), video loop 1:21
- Vertical Book (2015), framed artist’s book
- Writer’s Block (2018), device made of pencil, stick, stone
- Multi-purpose device (2016), plaster




- Reveries for Trees & Shrubs (2017), sound installation on trees in the garden of the Athens Concert Hall, duration 10:36
-
Wind of Change (2011), video, duration 6:17
-
The Opposite of Time (2016), video, duration 2:20
- Time (2015), video, duration 1:50




- Metropolitan Cypriots (2014) digital model of sound recording of all labels of anthropomorphic statues of the Cesnola Collection on display at the Metropolitan Museum of Art, New York milled in Thassos Marble (7 Axis Robotic Fabrication).
- Metropolitan Cypriots text framed









- Homework, mixed media installation
- Plagiarism #2, handwritten quotes, digital print
- The Indecision Maker, installation, plaster
- Right: Receipt Poetry #1: Plan for a Book, digital print
- Ask Quora, mixed media installation [video duration 2:22]
- Oh Car, Mobile Kingdom of Fleeting Thoughts, installation, sound piece duration 20:00, video loop 1:35
And Plaster Biscuits, 2015-16, exercise mats, plaster, unfired clay and found objects, 180cmX173cm



AAAFAY! Donation Station (2016), campaign information desk and donation station, leaflets, website aaafay.org (no longer available)
AAAFAY Radio Spot 00:46, Nothing At All AAAFAY Campaign Jingle 00:32











- Metropolitan Cypriots (2014) digital model of sound recording/recitation of all labels of anthropomorphic statues of the Cesnola Collection on display at the Metropolitan Museum of Art, New York milled in Thassos Marble (7 Axis Robotic Fabrication).
- The Flying Page (2015), video, duration 2:00
- Untitled (2015), installation of 48 blank, titled books 23 x 138 x 13 cm
- Time (2015), video, duration 1:56
- Vertical Book (2015), framed artist’s book
- Posh Taro (2015), sound installation with 12’’ vinyl record, duration: 10:00
-
Wind of Change (2011), video, duration 6:17





- Posh Taro (2014), sound installation with 12’’ vinyl record, duration: 10:00
3. Posh Taro Diary, artist’s book, edition of 5
4. Subjective Cartography (2014), participatory project

GUIDE BoOK (2013), site specific bookwork, 28 loose A4 sheets, A4 envelope serving as a cover, edition of 5000
ISBN 978- 9963-0-0165-1


Paper Monument (2013), site-specific work, scroll listing the first names of all the persons who stayed in room 501 of St. George Lycabbetus Hotel through the year
books
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Hyperflâneur (2019)
Bookwork Installation @Hypersurfacing,
curated by Marina Christodoulidou,
NiMAC, Nicosia
Why Are You Calling Me?
Can’t You See I am Not Busy? ︎
by Bast Fooks imprint
Year of Publication: 2019
Size: 14 X 21 cm
Pages: 320
Edition: open edition
Snatching (2019)
One of a Kind Arist’s Book, presented at
the show The Summer is the Opposite
of History, curated by Despina Zefkili,
Marpissa
How to Speculate About the
Life of a Female Artist (2019)
edition of 250, commissioned by Lefteris
Economou Cultural Foundation, Nicosia
Gym (2017)
A collective edition of publishing project
Bast Fooks 1-12, One of a Kind Bookwork, Nicosia
A Rose is A Rose is A Rose (2017)
One of a kind altered book, Nicosia
Written in Glue (2016)
One of a kind artist’s book, Nicosia
Bast Fooks (2016-2017)
A self-publishing project of monthly
installments, throughout 2016. Edition
of 60 each, Nicosia
Untitled (2015)
Site specific installation of 48 titled
Blank Books, @Deste Prize, Athens
Metropolitan Cypriots (2015)
Sound poem milled in Thassos marble,
One of a Kind, Nicosia
Posh Taro (2014)
Spoken word, Vinyl Record and Diary,
edition of 5, Glasgow
Goodbye Advertising (2014)
One of a kind artists book,
Nicosia
Notes (2014)
Edition of 32, Nicosia
Book of Bad Haiku (2013)
Artist’s book, edition of 101
GUIDE BoOK (2013)
Site-specific bookwork @Oo, the joint
pavilion of Cyprus and Lithuania at the
55th Venice Biennale, Edition of 5000,
published by the Cultural Services,
Ministry of Education and Culture,
Republic of Cyprus
The Independent Study of the 90’s (2013)
One of a Kind artist’s book, Nicosia
A Thousand Thank Yous (2012)
Print on Demand artist’s book, Nicosia
Paper Monument (2012)
Site specific installation at St.George
Lycabettus hotel, Athens
Orka (2014)
Conceptual poem for a wall,
presented at Point Center for Contemporary
Art, Nicosia, 2012, and Tradition Today:
exploring conditions to recreate it, curated
by Stavros Kavallaris, Athens, 2014.
What is to be Sung? Answers to
the Burning Question by Charley Barely (2012)
Spoken Word CD Album/Bookwork,
London and Nicosia
Souvenirs from An Ideal State (2012)
One of a kind bookwork and Installation,
produced for show At Maroudias, curated
by Re Aphrodite, Nicosia
[ ] (2011)
Print on demand artist’sbook, London
What Really Happened Here (2011)
One of a kind site-specific bookwork and installation, London
Hyperflâneur (2019)
Bookwork Installation @Hypersurfacing,
curated by Marina Christodoulidou,
NiMAC, Nicosia
Why Are You Calling Me?
Can’t You See I am Not Busy? ︎
by Bast Fooks imprint
Year of Publication: 2019
Size: 14 X 21 cm
Pages: 320
Edition: open edition
Snatching (2019)
One of a Kind Arist’s Book, presented at
the show The Summer is the Opposite
of History, curated by Despina Zefkili,
Marpissa
How to Speculate About the
Life of a Female Artist (2019)
edition of 250, commissioned by Lefteris
Economou Cultural Foundation, Nicosia
Gym (2017)
A collective edition of publishing project
Bast Fooks 1-12, One of a Kind Bookwork, Nicosia
A Rose is A Rose is A Rose (2017)
One of a kind altered book, Nicosia
Written in Glue (2016)
One of a kind artist’s book, Nicosia
Bast Fooks (2016-2017)
A self-publishing project of monthly
installments, throughout 2016. Edition
of 60 each, Nicosia
Untitled (2015)
Site specific installation of 48 titled
Blank Books, @Deste Prize, Athens
Metropolitan Cypriots (2015)
Sound poem milled in Thassos marble,
One of a Kind, Nicosia
Posh Taro (2014)
Spoken word, Vinyl Record and Diary,
edition of 5, Glasgow
Goodbye Advertising (2014)
One of a kind artists book,
Nicosia
Notes (2014)
Edition of 32, Nicosia
Book of Bad Haiku (2013)
Artist’s book, edition of 101
GUIDE BoOK (2013)
Site-specific bookwork @Oo, the joint
pavilion of Cyprus and Lithuania at the
55th Venice Biennale, Edition of 5000,
published by the Cultural Services,
Ministry of Education and Culture,
Republic of Cyprus
The Independent Study of the 90’s (2013)
One of a Kind artist’s book, Nicosia
A Thousand Thank Yous (2012)
Print on Demand artist’s book, Nicosia
Paper Monument (2012)
Site specific installation at St.George
Lycabettus hotel, Athens
Orka (2014)
Conceptual poem for a wall,
presented at Point Center for Contemporary
Art, Nicosia, 2012, and Tradition Today:
exploring conditions to recreate it, curated
by Stavros Kavallaris, Athens, 2014.
What is to be Sung? Answers to
the Burning Question by Charley Barely (2012)
Spoken Word CD Album/Bookwork,
London and Nicosia
Souvenirs from An Ideal State (2012)
One of a kind bookwork and Installation,
produced for show At Maroudias, curated
by Re Aphrodite, Nicosia
[ ] (2011)
Print on demand artist’sbook, London
What Really Happened Here (2011)
One of a kind site-specific bookwork and installation, London
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written by
Now Dear Eyes, Dear Eyes a Split (2021)gr
Hyperflâneur (2020)
This Case is in the Process of Arrangement (2017)
Those in Daily Life (2015)
written for
Transcending the Narrow (2019)
Essay for Deste Prize Publication (2015)
AAFAY Donation Station (2015)
texts
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Natalie Yiaxi is a visual artist based in Nicosia. She is a graduate of Camberwell College of Arts and Coventry University’s Schol of Art and Design. In 2018, she co-founded the artist-run gallery PARTY Contemporary (2018-2020) in Nicosia. In 2015 she was a DESTE Prize finalist, while in 2013 she co-represented the Republic of Cyprus in the 55th Venice Biennale. Recent shows and activities include; Those Winged Words:two evenings of performance, meter and story-telling, Fondazione Giuliani, Rome (2021), For Staying is Nowhere, Haus N Athen, Athens (2020), Together Apart/Going New Places, organized by the Cyprus High Commission in the UK Cultural Section, Online (2020), Athens Art Book Fair, Athens (2019), Hypersurfacing, NiMAC – Nicosia Municipal Arts Center, Nicosia (2019), MLNY, duo show and AdhocracyVol.I: Books and Tools, PARTY Contemporary, Nicosia (2018).
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